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What the world has begun to realise is that Elvis Blue resonates with a creative force that ebbs only from the most talented of artists. One simply has to listen to the hauntingly beautiful Things My Father Said or Lighthouse or Save Me, or any of his original compositions for that matter, to realise that you are in the company of greatness.
Balance this divine gift with great humility, a kind heart and the work ethic of Henry Ford and you begin to understand the soul within this artist.
The gifted musician’s journey started when he was a young boy, singing in school choirs, and busking in the streets of Joburg and Scotland. His one and only goal was to make and perform music.
After a stint overseas as a street musician, Elvis returned to South Africa where he decided to study contemporary music.
After appearing in numerous bands Elvis started a project where he sang under the name MONO. He released three albums under this time. When MONO’s record deal came to an end, Elvis decided that he would move to George where he would become a music teacher, write his own music, and live a quiet life.
After spending some time in George, Elvis was approached by a record company who wanted him to record an Afrikaans album. “The first album I did was under the name Jan Hoogendyk, my real name, and the album did really well. It won an ATKV Lier Toekening award. His second Afrikaans album, Ontskemer also under the name Jan Hoogendyk, was nominated for a 2010 SAMA Award.
While living in George he met the friend whose name he would adopt in 2008. “My wife works at an organisation that is a hospice and children’s home and I met this little boy there when I used to go and play my guitar for them.
He really wanted to be a keyboard player, and his name was Elvis Blaauw”, he says. When he passed away in 2009, as a tribute to this amazing young man, Jan Hoogendyk adopted his name and Elvis Blue was born.
In 2010, Elvis Blue won the title of Mnet Idol for that year – sharing half the profit with runner up Lloyd Cele.
Elvis Blue released the album that would change his life as a musician and consolidate all his years of hard work.
This album was simply titled Elvis Blue. On the album’s release in November 2010, it shot up the radio and sales charts and reached Gold status.
The first two singles Things My Father said and Lighthouse were massive hits, and with the third single, Save Me, is currently on playlists across the country.
The album went platinum in late 2011 – with sales in excess of 40 000 units.
Since the release of his album, Elvis has set himself apart as an exceptional performer of live music, using some of the best local musicians to round out his band on stage, insisting on delivering music with depth to audiences across the country.
Elvis is also a dedicated husband and father besides being a world class musician and a household name in South Arica.
Elvis was named an official global ambassador for the 46664 Bangle initiative, and through this opportunity he helps to educate people on the social justice ethos of Mr. Nelson Mandela.
The 46664 Bangle initiative is one of the 46664 Foundation’s key initiatives.
Elvis has also partnered with Bavarian Motorcycles as their BMW motorcycle brand ambassador for the year 2012.
In April 2012, Elvis’ credibility and talent was further acknowledged when he took home the SAMA (South African Music Award) for Best Adult Contemporary Album for the double disc special edition of his self-titled album, Elvis Blue.
The success Elvis Blue over the past few years enabled himself to invest in something very near and dear to his heart – The Elvis Blue Music Academy.
The Academy was started by Elvis to teach underprivileged children the joy of music. The organisation provides instruments and instruction in a safe, warm environment. “Music has the ability to heal,” Elvis says.
“This venture is living proof of that.” The Elvis Blue Music Academy operates in the Western Cape, George and is rolling out in Alexandra in Gauteng in the near future.
Elvis’ success is due to years of hard work, passion and commitment, and even though the path has been long and sometimes never ending, the real journey has only begun now.
There is a lingering feeling of awe when you meet this humble artist. True talent begets respect and admiration. And that’s exactly why Elvis Blue has our country at his feet.
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Bruce Fordyce is a well known name in Athletics after his record run in the Comrades Marathon over the years.
In 1977, when Fordyce ran his first Comrades Marathon, he placed 43rd out of 1,678 entries. He placed 14th in 1978, 3rd in 1979, 2nd in 1980, and he was the winner for an unprecedented eight consecutive years from 1981 to 1988; he won again in 1990. No other runner in the history of the Comrades has achieved this feat.
Bruce also held the record time for the “up” run (Durban to Pietermaritzburg) and his record of 5:24:07 for the “down” run (Pietermaritzburg to Durban) stood for 21 years from 1986 until it was broken in 2007 by Russia’s Leonid Shvetsov.
Presentations:
Bruce Fordyce delivers an insightful presentation called “In the Long Run”.
It is an inspiring 40 minute talk incorporating exciting visuals of South Africa and the World Cup. In it, Bruce invites his fellow South Africans to remember how great we were in 201 0 and encourages us to maintain that positive energy.
Bruce Fordyce will inspire your conference through his talk on how to push past barriers to achieve greatness.
It’s the most exciting challenge a runner can face: that first big marathon. With this practical guide to everything from physiology to great gear—now updated for this third edition—novices can train themselves up from scratch to their first six mile race and then on to half, full, and ultra-marathons.
Full-color diagrams, detailed text, fact-filled charts, and superb action photographs explain running science in an accessible and inspiring way.
All the crucial information is here: an analysis of how muscles work and injuries occur, advice on choosing the right running shoe, suggestions for a proper runner’s diet, plus practical training schedules and pacing tables for measuring progress.
Even an absolute beginner will be ready to take on that big run in six months!
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Elana Zlatkova is a dynamic performer with an electrifying stage presence that has local and international audiences enthralled by her skill, dexterity and talent.
Since her arrival in South Africa one year ago she has taken Johannesburg, Cape Town and Durban by storm with her performances in the Barnyard Theatre productions of “G-String” and “Natural Women”.
On the classical front she has enchanted audiences with her solo recitals at the popular “Music in the Gallery” at the Nelson Mandela Square Art Gallery and at the Kyalami Classics (2004).
Elana Zlatkova has also made inroads in the corporate function market and has performed at numerous functions such as “The Good Year Awards”, “Southern Suns GM’s Conference’, “The Sunday Times Small Business Awards” and Barnyard Theatre corporate functions like Standard Bank and Wild Life Trust to name a few.
Elena hails from the capital city of Bulgaria, Sofia. She started to play the violin at the age of five. At the age of seven she went to study at the National School of Music “Lyubomir Pipkov”, Sofia for 12 years.
Elana Zlatkova specialization was instrumentalist and pedagogue in the violin. From 1995 to 1999 she studied further at the State Academy of Music “Pancho Vladigerov also in Sofia, Bulgaria. She obtained a Bachelor Diploma for higher Education and a Major Degree Course in violin.
In September 2004 she performed with the internationally acclaimed “Philharmonia des Nation” (conducted by Justus Frantz) at the Linder Auditorium in Johannesburg. Elana Zlatkova was also a member of a classical trio based at Hyatt Regency Hotel (2002) as well as The Ritz-Carlton Hotel (March-July 2001) both of which are in Dubai
Since her arrival in South Africa one year ago she has taken Johannesburg, Cape Town and Durban by storm with her performances in the Barnyard Theatre productions of “G-String” and “Natural Women”.
“….the violin forms an integral part of this show and its dexterous handling comes from the gorgeous Elena” – Cape Times “…..a dynamic violinist” -The Weekend
“Electrifying”- Cape Argus
“Superb violinist…..”- Daily News, Durban
“Elena Zlatkova’s dexterity on the electric violin provides the magic which entices people to view shows over and over again”- The Zululand Observer
“…Elena’s ‘Duelling Violins’ are absolute musts to experience”- The Zululand Observer
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Briony Liber is a South African executive and career coach with an inspirational and deeply human-centered message: individuals can become their own most important project. With a base in Houghton, Gauteng, she delivers powerful insights and practical frameworks that enable mid- and senior-level STEM professionals to cultivate authentic self‑leadership and career prominence. Her core message centers on empowering clients to reclaim their vision, grow beyond burnout, and harness the power of consciousness, courage, and creativity for purposeful impact.
With over two decades of experience in mining and natural resource sectors and more than 5,000 hours of coaching under her belt, Briony embodies both technical expertise and empathetic leadership. Her coaching philosophy, the “6 C’s”: Consciousness, Curiosity, Compassion, Creativity, Courage, and Connection which guides professionals toward building careers that reflect their values, purpose, and strengths. Whether on stage, in workshops, or through media platforms, her voice resonates with transformation, clarity, and bold authenticity.
Briony is the founder and Director of The Briony Liber Coaching Group (Pty) Ltd, a 100% female‑owned coaching firm established in 2017 in Johannesburg. Before transitioning into coaching, she held a leadership role in mining consultancy, partnering in an international resource firm and directing teams of scientists, a two‑decade trajectory that shaped her deep insight into STEM career dynamics.
As a certified Master Coach Practitioner through COMENSA, Briony Liber has coached more than 5,000 hours and supports individuals, teams, and organizations across Africa and Europe. Her specialized focus includes executive coaching, group mentoring, and career growth within technical industries such as mining, engineering, and construction. She supports professionals facing pivotal transitions: shifting from technical mastery into strategic leadership, overcoming burnout, and gaining clarity on visibility and confidence.
Briony Liber stands out as a speaker who brings strategic insight, empathy, and transformational coaching experience to every engagement. With a roots in mining and science leadership, extensive coaching hours, and a clear, values‑driven framework, she equips professionals to transform their visibility, confidence, and career trajectories.
Her voice is compelling not just because she speaks well, but because she embodies the journey she advocates leading herself with consciousness, curiosity, compassion, creativity, courage, and connection. Whether through spoken engagements, workshops, podcast interviews, or retreats, Briony empowers people to step into their own professional eminence project and lead with intention, clarity, and impact.
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Clint Cunningham is no stranger to South African audiences. After 15 years of slogging the pubs and clubs all over South Africa (reportedly the highest paid one-man band in the country at that stage), Clint is now enjoying great success with his various shows in top theatres.
His Creedence Clearwater Revival Tribute (over 600 shows in ten years) has rocked sold-out audiences at all of The Barnyards as well as The Performer Theatre, Richard Loring’s Sound Stage, all of the major casinos and many other venues such as The Rustic Theatre on Main, The Blues Room and The Firkin in Centurion.
Clint Cunningham performed in the Carnival Symphonic Pops and he was very well received! He sold more CD’s after each performance than any of the other artists! Due to popular demand
Clint was determined to do the Creedence Clearwater Revival Tribute at Carnival City’s Big Top Arena in 2008 – performing to over 1500 people.
From this success, Clint Cunningham and his immensely competent band went on to perform Clint’s U2 tribute, ‘Rattle and Hum’, shows called ‘Joe Cocker & Friends’ and ‘Rock on Safari’. ‘The Midnight Hour’ ran for 6 months at Richard Loring’s Sound Stage and ‘Thunderstruck’ ran for 5 months over 2 years at the Globe Theatre Gold Reef City.
Clint’s production ‘The Midnight Hour’, featured Connie Friedman on sax and keys, Rene Mabotha and Caitlin Cunningham on vocals. They packed the Sound Stage in 2007 & 2008, 7 shows a week for close on 6 months.
This is an amazing achievement for any artist.
The band (Clint & Co) have toured Zimbabwe several times playing to almost 4000 people in Harare.
They rocked Maputo, Gaborone and Swaziland, toured Cape Town and the Garden Route with huge success and they have done a myriad of corporate events from the V&A Waterfront to the Sun City Superbowl.
2 slots on Steve Hofmeyer’s ‘Dis Hoe Dit Is’ and SABC 3’s ‘Noot vir Noot’ (plus a guest spot on ‘Egoli’) has received great response for Clint.
With 15 albums down the line, Clint has a massive original repertoire including his hit song ‘Cry Baby Cry’ and two very successful Afrikaans to English translations.
Clint Cunningham also surprised his fans in 2012 with the release of his first book, a fantasy adventure novel called ‘Sothafa’ and his latest announcement is his DJ slot on 93.8 MIX FM every Wednesday evening where he gets to sing live in the studio and to play his most favourite songs.
“Ultimately, Clint Cunningham mission is to create great rock music in the name of fun. It is a refreshing change in a world full of pop idols and posturing. With boy bands and wannabe singers dominating our airwaves, Cunningham and his sidekicks are emerging as one of the few ‘real-deal’, ‘no frills’ bands on the local music scene.”
Peter van der Merwe, The Star
Peter Hamner (Guitarist) started playing in the hard rock band, ‘Boss’ in 1980. The band later changed its name to ‘Street Talk’ and they played a mixture of original material as well as covers.
In 1983 he recorded an album of original material under the name of ‘Off The Edge’. Between 194 and 2004, Peter recorded and produced a further 4 albums, with Clint as the front man on the 4th album, ‘Site Under Construction’.
He hopes to release a fifth album in the not too distant future. He has been a member of Clint Co – Conference Corporate Entertainers since 2004.
Clint Cunningham runs a production studio called Foxglove Studios and he has been responsible for producing and recording all of Clint’s albums.
Among many other recording projects, Peter’s latest project is his solo instrumental album called ‘Revelation’.
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