Keynote storyteller and historical narrative specialist
Corporate teams, educational institutions, public-sector audiences, and organizations seeking meaningful storytelling that deepens cultural understanding and human connection.
A RIPPLE OF HOPE WHISPERED FROM BOBBY KENNEDY’S TOUR OF SOUTH AFRICA IN 1966
THE MESSENGER is a story about Bobby Kennedy’s forgotten visit to South Africa in 1966 and the two years which followed it. The story explores the curious parallels between South Africa and the United States in the 1960s, while revealing a message of hope from a comparable time of political fracture.
At face value, THE MESSENGER is a niche story from a distant time, however its characters (from both sides of the Atlantic) are woven together to provide a fascinating study of the present, which has been receiving standing ovations from across the country
MY FATHER’S COAT is the realisation of Michael Charton’s decade-long ambition to make the incredible story, that is South African history, more accessible to our people. To open the hearts of South Africans to our past, so that we may use our remarkable story no longer as a tool to inspire hatred and fear and division, but rather as a source of unity and healing.
Accordingly, Michael Charton idea was to condense the epic narrative of South Africa into a bite-size story which is both compelling and balanced. A project which would prove to be a colossal, time-consuming challenge, but one which has ultimately given rise to a very unique product, providing order and meaning to a notoriously complex subject.
But importantly, this is no history lecture. Instead, this is just a story. A human story, told by climbing into the boots of five prominent and directly interlinked protagonists spanning 200 turbulent years: Mzilikazi, Kruger, Rhodes, Smuts and Mandela.
THE HUMAN STORY BEHIND SOUTH AFRICA’S GREATEST CONSERVATION TRIUMPH
In 1952, Ian Player and Magqubu Ntombela were introduced on the Umfolozi Game Reserve. A chance encounter between two men from very different backgrounds, which sparked a legendary new partnership. One which pulled the southern white rhino back from the verge of extinction, while revolutionising wild-life conservation around the world.
LEAVE SOME FOR THE HONEY BADGER is an untold story about friendship and the transformative powers of discovering connections between ourselves; our environment; and the animals with whom we share the planet.
Length: 60 minutes
In 1952, the despised pass laws (which had long-tormented African men) were extended to include African women. Such was the outrage, that it transcended the race barriers being erected by the Apartheid state, as a diverse group of women came together in support of their African sisters.
It culminated in a famous march to the Union Buildings on August 9th, 1956.
The protest was conducted with such scale, diversity, and dignity, that it shook the South African state and helped usher in a new phase of the struggle movement. This story tracks the lives of the march’s four core leaders: Lilian Ngoyi, Helen Joseph, Rahima Moosa and Sophie de Bruyn.
Each had emerged from different cultural backgrounds; each from different parts of the country; and each born to a different decade. Yet, they came together. Uniting, in order to lead decisive action against the state. Six decades down the line, roads and hospitals bear the names of these four women, but their extraordinary lives (those meaningful, human elements) have been all but forgotten to many South Africans.
Michael Charton is a celebrated South African storyteller whose work makes the nation’s complex history accessible, human, and deeply engaging for modern audiences. Initially trained as a chartered accountant, Charton spent time in financial advisory in the United States before returning to Cape Town in 2007. A brief period in advertising awakened his fascination with the craft of storytelling and revealed the transformative power of narrative to connect people across backgrounds and beliefs.
His journey into full-time storytelling began in 2010 after an unconventional project for an advertising client nudged him toward the stage. A year later, Charton discovered the little-known story of the 1937 Springbok rugby team, whose legacy reached far beyond sport. His retelling of their journey resonated widely, earning acclaim and setting him on a path to develop a body of original non-fiction stories inspired by South Africa’s unique history. Underpinning his work is formal study through UNISA and an unwavering curiosity about the people who shaped the country.
By 2015, Charton embarked on his most ambitious project, MY FATHER’S COAT, dedicating 18 months to research, writing, and crafting a narrative that distills the essential dynamics of South Africa’s past while appealing to the heart.
Michael Charton enthusiasm for the story of South Africa and his curiosity and passion for the peoples of our country has gradually lured him away from his corporate career.
Having qualified as a chartered accountant and spent time in a financial advisory role in the United States, Michael returned to Cape Town in 2007 where, during a short career in advertising, he was awoken to the art and power of storytelling.
But in 2010, following an unorthodox project for an advertising client, Michael began telling stories. In 2011 Michael then stumbled upon the untold story of the 1937 Springbok rugby team: a group of men who lived in a fascinating time and whose legacy holds far more gravitas than which can be retained in a set of chalk lines.
This story proved to be a success and he has told the story to audiences around the country to overwhelmingly positive reviews. By 2015, Michael had developed and told a number of original, non-fiction stories all of which drew inspiration from South Africa’s unique history. An interest which, having qualified as an accountant, Michael had then studied through UNISA.
With these foundations laid, Michael Charton made the decision to embark on his most ambitious project to date. To write and tell a story which, while remaining true to the art of storytelling, manages to unearth the key dynamics of South African history in a manner which appeals to the heart.
This story would prove to be a monumental challenge, which saw Michael Charton resign his role as a financial director and ply 18 months of his life researching and developing.
The result was acclaimed story, MY FATHER’S COAT. A story which has found considerable acclaim and set Michael Charton up to expand his project into a company called INHERIT SOUTH AFRICA, which aims, through a number of projects, to make South African history more accessible to both our people and visitors.
MY FATHER’S COAT is the realisation of Michael Charton’s decade-long ambition to make the incredible story, that is South African history, more accessible to our people. To open the hearts of South Africans to our past, so that we may use our remarkable story no longer as a tool to inspire hatred and fear and division, but rather as a source of unity and healing.
Accordingly, Michael Charton idea was to condense the epic narrative of South Africa into a bite-size story which is both compelling and balanced. A project which would prove to be a colossal, time-consuming challenge, but one which has ultimately given rise to a very unique product, providing order and meaning to a notoriously complex subject.
But importantly, this is no history lecture. Instead, this is just a story. A human story, told by climbing into the boots of five prominent and directly interlinked protagonists spanning 200 turbulent years: Mzilikazi, Kruger, Rhodes, Smuts and Mandela.
So, while historians actively try to eliminate the biases so prevalent in our story; Michael embraces them. And as Michael Charton introduces you to each of his five characters, he allows them to lure you under their spell by subtly endorsing their beliefs and biases.
This was a project Michael Charton believed in so strongly that he gave up his life as a chartered accountant in order to pursue it. This passion shines through in his delivery. Indeed, this is a unique life experience: An opportunity to reflect on our unique past and to celebrate the fascinating peoples with whom we all share this complex country. Never before has our past been explored in this manner
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